Cover-Op – Riley Rossmo on the New Mutants of Sienkiewicz

new mutants1 Sienkiewicz marvel comics

When asked what the best comic covers are, I think most people try to choose something by one of the classic artists: Neal Adams, Jack Kirby, John Buscema, etc. But for me there is only one choice: Bill Sienkiewicz. I first noticed his art on the Moon Knight comics I was buying from quarter bins when I was eight years old. He was the first comic book creator whose name I knew.

Moon Knight’s covers were composed beautifully, but the interiors still felt somewhat more traditional. When I discovered the The New Mutants (issue 18 to be specific), everything about it seemed amazing to me at the time, and still does. At the time I was just attracted to it, but there was nothing about it that I could articulate. Years later, it’s still my favorite cover. I can look through back issues of the time and it’s still incredibly striking.

At first all we see is on the cover of The New Mutants #18 is the character Danielle “Dani” Moonstar. A pretty First Nations woman, Dani embodies strength and charisma. Though the feathers and war paint she wears are clichés, they communicate Dani’s heritage in milliseconds. Sienkiewicz uses those feathers and her earrings as a directional tool, drawing the viewer’s gaze to Dani’s face. They’re stable and angular shapes while the “demon bear” behind her, which might only be seen after spending some time with the image, is the opposite. The bear’s maw is illustrated with frantic lines to offset Dani’s clean and centered face. Sienkiewicz indicates snow with splattered white paint and uses a cool blue in the background, again to contrast with the warm tones used in Dani’s face. Though stoic, Dani’s in danger of being consumed by both the elements (the snow) and the threat of something in the darkness (the demon bear).

In addition to producing a masterful composition, Sienkiewicz is an expert technician. Although some of his brushstrokes seem haphazard, it’s a controlled experiment and his use of both controlled and frenetic brush strokes is unmatched.

Sienkiewizcz’s brief run on The New Mutants changed the way I view comics and I still return to it for inspiration. The covers told a narrative without literally depicting a scene from the issue, which was common practice in  superhero comics at the time. Bill Sienkiewicz paved the way for alternate ways of illustrating comics and inspired countless later artists, from Ted McKeever to David Mack.


  1. Riley, I didn’t come by these early issues of New Mutants until a good ten years after they were originally published, but Sienkiewicz still had a profound effect on how I viewed comic art and artists who weren’t afraid to buck trends. Probably time to search out those old issues of Moon Knight, I’m thinking.

  2. The guy is simply amazing, and though he had more lauded covers, I will never forget picking up Amazing Spider-Man#295 (as a kid one of my 2 favorite titles) and just being blown away. As Riley notes, this guy was doing covers like that, but he was also doing the on arguably the #1 book on the planet (along with X-Men).

  3. yes i have literally gone back and started reading every marvel team affiliated book from avengers. x-men, defenders, ff4 and new mutants from the beginning. When i came across this book for me it really was a new beginning for comic books. Not just the cover but the art inside this book really told more of a story that any words could describe. Something i hadnt come across in any earlier marvel comic book. Some of the defneders books just before this one when they become the new defenders their covers was pretty cool but lacked the art throughout the book.

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