Kung Fu Panda 2 – Review – Dreamworks’ Newest Cash Cow

You need to move your cue-cards closer and/or right by the camera because the whole time you’re squinting and looking off to the side. Also, try memorizing more or shooting in smaller chunks because you’re so worried about the words you end up speaking in a flat, monotonous way that makes it seem that you’re reading the ingredients off a box. Where’s the investment in what you’ve written? Without that, we don’t care to listen. We want to feel what you did when you experienced the flick because movies are all about emotional responses. Think of the camera as the eyes of your best friend or loved one and pretend you’re just talking to them about what you saw. Smile and look directly at it and bring your charm and show enthusiasm for your job or you’ll never connect to the viewer by engaging them with any energy or personality.